
2026 STUDENT WORK SHOWCASE • EXPOSITION DE PROJETS ÉTUDIANTS
Meet The Jury

Jennifer Thorogood
Jennifer Thorogood, OAA, received her professional M.Arch degree from McGill University. Prior to her education in architecture, she studied fine arts at the University of Western Ontario in London. Jennifer is a partner and principal designer at T B A, an architecture and design studio based in Montréal, with an emphasis on the domestic environment. In 2021, the firm, in collaboration with David Theodore, represented Canada at the 17th Venice Architecture Biennale with Impostor Cities, a project about architectural identity and about faking it. Jennifer currently teaches design studio at McGill University Peter Guo-hua Fu School of Architecture.

Liane Veness
Liane Veness is an Architect, instructor, and coordinator for the Centre for Architecture, Structures, and Technology (CAST) at University of Manitoba, and the founding director of an award-winning design and research-based practice. Her work responds to the urgent need to rebuild our relationship with the living world. She investigates technology as an act of structuring, examining how architecture mediates between ecological sites, building envelopes, bodies, and space. Through this lens, she critically assesses contemporary “best practices” within sociocultural and post-anthropogenic environmental frameworks, seeking strategies that embed ecological responsibility and cultural awareness into architectural thinking and practice.

Mauricio Quirós Pacheco
Mauricio Quirós Pacheco, born in Costa Rica, is an Associate Professor at the University of Toronto’s John H. Daniels Faculty of Architecture, Landscape, and Design, and the founding partner of MIAU Studio, an architecture firm practicing in Costa Rica and Canada. He holds a Master of Architecture in Urban Design, with distinction, from Harvard University, and a Bachelor of Architecture (Best Thesis Award) from Universidad del Diseño.
From 2010 to 2014, Mauricio worked with then-director Mirko Zardini at the Canadian Centre for Architecture (CCA). He has practiced architecture and urban design in the Americas and Europe with offices including Stanley Saitowitz Office and the Renzo Piano Building Workshop. He has served as a guest critic at various universities, including Yale University and the Sam Fox School of Architecture, and as a guest juror for international competitions such as Architecture for Humanity’s Crossing Borders competition and the International Open Competition for FUNDECOR Headquarters.
Mauricio sits on the Editorial Board of Manifest: A Journal of American Architecture and Urbanism, and his writings have appeared in publications such as Domus, San Rocco, and the Architectural Observer. In 2016, he co-curated the symposium Modern Architectures in Central America with Hans Ibelings, and in 2024, both—together with the collaboration of Andrés Fernández—published Modern Architectures in Central America, an overview of 20th-century modern architecture in the region.

Kelvin Nyathi
Kelvin is a licensed architect in the province of Newfoundland and Labrador and holds a Master of Architecture from Dalhousie University in Halifax, Nova Scotia. He has over 16 years’ experience in the design and construction of projects that range across different service sectors including, residential, commercial, academic, public and industrial.
He has developed a deep knowledge of construction and a strong aptitude for thoughtful and sophisticated design. His approach and passion is for architectural spaces that are functional, pragmatic, and sensitive to the contextual environment.

Paul Kariouk
Paul Kariouk is the Principal of his own firm and also holds the rank of Professor at Carleton’s School of Architecture.
Kariouk Architects has won multiple AIA honours, including a National AIA Award and an AIA New York Chapter Award. The work of the office has been a finalist in the OAA Design Excellence Awards, and received Architizer’s Best Small Practice Award as well as awards from Dezeen, Architizer, and The Canadian Wood Council. The work of the office has also been invited to the Venice Biennale.
His exhibition, “(a)way station: the architectural spaces of migration” (co-authored with Mabel O. Wilson), has been exhibited at the San Francisco Museum of Modern Art, which acquired the work for its permanent collection. Kariouk and Wilson also authored a shortlisted competition entry for Manhattan’s African Burial Ground.
Additional information can be found at kariouk.com.